{"title":"New Release - Common Ground","description":null,"products":[{"product_id":"new-release-record","title":"Niningashi - Heavy Way (TIME019)","description":"\u003cp\u003e\u003cstrong\u003eA long-lost Japanese acid folk gem, Niningashi’s 1974 private press debut\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eHeavy Way\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eshimmers with originality, deft song writing and a dream-like groove.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e（🇯🇵👇）\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough he was training as a pharmacist, Kazuhisa Okubo was much more interested in prescribing musical medicine.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA coming-of-age album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHeavy Way\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecaptured a turning point in Okubo’s life, and Japanese society more widely as a nostalgia for the pastoral calm of the traditional life, met the cosmopolitan thrill of coffee, sex and cigarettes in the big city.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIntoxicated by Tokyo, driven by a passion for music and surrounded by a thriving acid folk scene, the young student filtered his experiences through a psychedelic cocktail of soulful influences from the US and Japan.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNiningashi was his first band, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHeavy Way\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas their only album. It was honest and raw, deep and strangely funky, in an off-beat kind of way. Across nine tracks, Okubo and the 6-piece band put their own spin on the new folk sound of Japan, combining witty lyrics with electric guitar-driven solos and crisp, understated grooves.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMelancholy and profound, opening track ‘Ameagari’ feels like a synthesis of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHarvest\u003c\/em\u003e-era Neil Young and Haruomi Hosono’s Happy End. Then there’s the whimsical washboard country sound of ‘Semai Boku No Heyade’; the moody, low-lit charm of ‘Restaurant’; and ‘Hitoribotchi’, a sensitive portrayal of childhood, steeped in memories of rainfall that will resonate with fans of Woo and Mac Demarco.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Okubo would go on to taste success with psychedelic folk bands Neko and Kaze, the latter of which scored three #1 albums, little is known about his mysterious debut with Niningashi.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSelf-released by Okubo in 1974, and featuring album artwork by his brother, it has slowly generated a cult following online, intrigued by its soft and enchanting sound. So few records were ultimately pressed that those remaining have fetched up to £1,500 online.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFeatured on Time Capsule’s era-spanning collection Nippon Acid Folk, Niningashi’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHeavy Way\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a deep-cut grail of a vibrant time in Japan’s musical history, where even the pharmacists were making jams.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Niningashi\u003c\/p\u003e\n\u003cp\u003eTitle: Heavy Way\u003c\/p\u003e\n\u003cp\u003eLabel: Time Capsule\u003c\/p\u003e\n\u003cp\u003eCat Num: TIME019\u003c\/p\u003e\n\u003cp\u003eGenre: Rock, Pop\u003c\/p\u003e\n\u003cp\u003eStyle: Acid Folk, Psychedelic Rock\u003c\/p\u003e\n\u003cp\u003eFormat: Vinyl LP with 4 page insert + Digital\u003cbr\u003e\u003cbr\u003eInformation Release: Tues 19th March 2024\u003c\/p\u003e\n\u003cp\u003eRelease Date: Fri 19th April 2024\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA1: Ameagari (After the rain)     6:08\u003c\/p\u003e\n\u003cp\u003eA2: Semai Boku No Heyade (In My Small Room)  2:52\u003c\/p\u003e\n\u003cp\u003eA3: Ososugite (Too Late)      2:37\u003c\/p\u003e\n\u003cp\u003eA4: Miyo Chan      2:39\u003c\/p\u003e\n\u003cp\u003eA5: Oraga Murano Soncho San (Our Village Chief)  2:49\u003c\/p\u003e\n\u003cp\u003eB1: Restaurant      4:10\u003c\/p\u003e\n\u003cp\u003eB2: Natsu (Summer)      5:45\u003c\/p\u003e\n\u003cp\u003eB3: Chikan No Uta (Molester Song)    3:26\u003c\/p\u003e\n\u003cp\u003eB4: Hitoribotchi (On My Own)     4:15\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAll songs are written \u0026amp; composed by Kazuhisa Okubo\u003c\/p\u003e\n\u003cp\u003eRemastered by Andy Baldwin at Metropolis Studios, London, UK\u003c\/p\u003e\n\u003cp\u003eLiner notes by Anton Spice \u0026amp; Kay Suzuki\u003c\/p\u003e\n\u003cp\u003eArtwork by Leon Moh-Cah\u003c\/p\u003e\n\u003cp\u003eLicensed by Mine Okubo\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ir9MBikwX6c?si=RvHqiW3zls4P1ptz\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"CARAVAN","offers":[{"title":"Default Title","offer_id":50983373242390,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/TIME019VinylMockUpImage.png?v=1734432810"},{"product_id":"kay-suzuki-various-artists-choice-remixes-2008-2022-time022","title":"Kay Suzuki \/ Various Artists - Choice Remixes 2008-2022 (TIME022)","description":"\u003cp\u003eKay Suzuki \/ Various Artists - Choice Remixes 2008-2022 (TIME022)\u003cbr\u003eFlipping rhythms from Guadeloupe, Cuba, Senegal and Puerto Rico, Time Capsule founder Kay Suzuki releases an acid-soaked collection of remixes that transcends time and space.\u003c\/p\u003e\n\u003cp\u003e（🇯🇵👇）\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the blacked-out basement of Plastic People to the psychedelic dancefloor of Beauty and the Beat, Kay Suzuki’s musical world has been shaped by some of London’s most iconic sound systems. High quality audio, he says, can open portals to new universes. Rhythm is time made plastic and beauty is the space between the beats.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSpanning over fifteen years of music from the prolific DJ, producer, Time Capsule label boss and one time Brilliant Corners sushi chef, this collection of remixes is the logical conclusion of Kay Suzuki’s musical thinking. Drawn to unique percussive or syncopated rhythms, he describes remixes as conversations between the original artist’s sense of time and his own. Weaving broken beat, house and dub influences into rhythms from across the Black Atlantic, these four tracks find each other kinship on the dancefloor.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe A-side begins with a dubbed-out rework of the Gwoka celebration rhythm ‘A Ka Titine’ by Guadeloupe’s Gaoulé Mizik that was originally released by Beauty and the Beat in 2022. Layering electronic flares, dub sirens and space echo reverb across the shuffling toumblak beat, Suzuki leans into the track’s creole heritage, turning the track into a sought-after dancefloor jam, played by everyone from Colleen Cosmo Murphy and John Gomez to Yu-Su and Bradley Zero.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSkipping to Puerto Rico, Broki’s ‘Es Que Lo Es’ emerged from a collaboration between Bugz in the Attic’s Afronaut and Seiji and local musicians. Here Suzuki reworks the Afro-Latin percussion into a subtle bruk, conjuring a third space between London and San Juan that remains both of and outside the era in which it was made.\u003c\/p\u003e\n\u003cp\u003eBlackbush Orchestra’s ‘Sortez, Les Filles!’ opens the B-side, taking apart the original and kneading the Senegalese percussion into a chugging Balearic house track, buoyant and full of life. Also first released by Beauty and the Beat, the track features new synth and structural elements that bring out the innate dancefloor potential beneath the surface of the original.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe final track on the collection heads back to the Caribbean and the island of Cuba, where Sunlightsquare a.k.a. Claudio Passavanti worked with vocalist Rene Alvarez and expert in Afro-Cuban percussion, Giovanni Imparato, on ‘Oyelo’. Here, Suzuki strips out the kick completely, leaving an implied rhythm which he calls an “imaginary four-to-the-floor” - a groove that is felt rather than heard, leaving the listener floating in another universe entirely.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA1: Gaoulé Mizik - A Ka Titine (Kay Suzuki Gwoka Dub) - 7:40 [2022]\u003cbr\u003eA2: Broki - Es Que Lo Es (Kay Suzuki Remix) - 6:27 [2008]\u003c\/p\u003e\n\u003cp\u003eB1: Blackbush Orchestra - Sortez, Les Filles! (Kay Suzuki Remix) - 6:28 [2017]\u003c\/p\u003e\n\u003cp\u003eB2: Sunlightsquare - Oyelo (Kay Suzuki By The Sea Mix) - 6:45 [2017]\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist: Kay Suzuki \/ Various Artists\u003c\/p\u003e\n\u003cp\u003eTitle: Choice Remixes 2008-2022\u003c\/p\u003e\n\u003cp\u003eLabel: Time Capsule\u003c\/p\u003e\n\u003cp\u003eCat Num: TIME022\u003c\/p\u003e\n\u003cp\u003eGenre: Electronic, World\u003c\/p\u003e\n\u003cp\u003eStyle: Gwoka, Dub, Deep House, Broken Beat\u003c\/p\u003e\n\u003cp\u003eFormat: Vinyl LP with 2 page insert\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInfo Release Date: Tues 12th Nov 2024\u003c\/p\u003e\n\u003cp\u003eRelease Date: Fri 6th Dec 2024\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtwork by Nanaoro\u003c\/p\u003e\n\u003cp\u003eLiner notes by Anton Spice\u003c\/p\u003e\n\u003cp\u003eMastered by Mike Hillier at Metropolis Studios, London, UK\u003c\/p\u003e\n\u003cp\u003eTime Capsule | TIME022 | 2008-2022 → 2024\u003c\/p\u003e","brand":"CARAVAN","offers":[{"title":"Default Title","offer_id":50983646003222,"sku":"","price":19.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/10-TIME022-MockUp-A.jpg?v=1734436285"},{"product_id":"izumi-mimi-kobayashi-choice-cuts-1978-1983time020","title":"Izumi \"Mimi\" Kobayashi - Choice Cuts 1978-1983(TIME020)","description":"\u003cp\u003eIrrepressible, off-the-wall and utterly unique - the late ‘70s\/early ‘80s Latin jazz-funk and leftfield electronic boogie of Japanese composer and pianist Izumi ‘Mimi’ Kobayashi collected for the first time.（🇯🇵👇）\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA luminous soul with an indefatigable love for music, few artists have had careers as varied and successful as Izumi ‘Mimi’ Kobayashi. One of Japan’s leading jazz-funk pianists, she wrote and recorded cult albums with fusion legends at home and abroad. Obsessed with new electronic instruments, she penned some of the country’s most well-known TV themes and pioneered the use of drum machines in anime soundtracks.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA star in Japan, she moved to Europe to record global hits with Depeche Mode and Swing Out Sister, toured the world with the Reggae Philharmonic Orchestra and made beats with Attica Blues’ Tony Nwachukwu. Now based in London, Mimi currently fronts Tokyo Riddim Band - the intergenerational live Japanese Reggae outfit born from Time Capsule’s acclaimed 2023 compilation of the same name - playing live shows and releasing a trio of recordings made at Prince Fatty’s studio.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eChoice Cuts 1978-1983 collects eight recordings from four of Mimi’s first five albums – Sea Flight (1978) recorded with her group Flying Mimi Band, and Coconuts High (1981), Nuts Nuts Nuts (1982) and Tropicana (1983) under her own name.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe compilation opens with a syncopated electro-funk cover of Sergio Mendes’ iconic ‘Mas Que Nada’ (Tropicana) and the crisp and stripped back techno-pop of ‘Coffee Rumba’ (Nuts Nuts Nuts) with a keyboard bass line that would have made Stevie Wonder weep.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlongside the off-beat synth jam ‘Quiet Explosion’ (Nuts Nuts Nuts) and piano samba of ‘Espresso’ (Tropicana), there’s space for two low slung soul-jazz numbers, ‘Naze’ and ‘Angel Sky’, from Sea Flight (1978) that recall the collaborations between Herbie Hancock and Kimiko Kasai. But it is around the two tracks from Mimi’s 1981 album Coconuts High that this compilation revolves (and from whose cover shoot it borrows).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReleased on legendary guitarist Takanaka’s Kitty Records label, Coconuts High was recorded in LA with a backing band of jazz fusion icons, including Alex Acuña, Abraham Laborial, Harvey Mason and the Tower of Power horns. A riot of playful Latin-tinged jazz, funk and fusion with the off-beat spirit of Kid Creole \u0026amp; and the Coconuts, the album became a cult hit, attracting huge sums on the resale market. Here it’s the sultry, Minnie Riperton-esque ‘Crazy Love’, with its addictive groove and bittersweet melodies that makes the cut, alongside the steel drum-infused carnivalesque bounce of ‘Palm St’.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCapturing a highly creative and prolific moment in Mimi’s career, Choice Cuts 1978-1983 will introduce the idiosyncratic energy and playful verve of this under-the-radar pioneer to a wider audience for the first time. Welcome to the world of Izumi ‘Mimi’ Kobayashi. Once you enter, you won’t want to leave.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist: Izumi “Mimi” Kobayashi\u003c\/p\u003e\n\u003cp\u003eTitle: Choice Cuts 1978-1983\u003c\/p\u003e\n\u003cp\u003eLabel: Time Capsule\u003c\/p\u003e\n\u003cp\u003eCat Num: TIME020\u003c\/p\u003e\n\u003cp\u003eGenre: Electronic, Jazz, Latin, Funk\/Soul\u003c\/p\u003e\n\u003cp\u003eStyle: Electro Boogie, Fusion, Latin Jazz, Soul.\u003c\/p\u003e\n\u003cp\u003eFormat: Vinyl LP with 4 page insert + Download\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInfo Release Date: Tues 6th Aug 2024\u003c\/p\u003e\n\u003cp\u003eRelease Date: Fri 13th Sept 2024\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCurated by Kay Suzuki\u003c\/p\u003e\n\u003cp\u003eDesigned by Kay Suzuki \u0026amp; Nina Yamada\u003c\/p\u003e\n\u003cp\u003eLiner notes by Anton Spice, Kay Suzuki and Ayana Honma\u003c\/p\u003e\n\u003cp\u003eTime Capsule | TIME016 | 1976-1985 → 2023\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CARAVAN","offers":[{"title":"Default Title","offer_id":50983791198230,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/09-TIME020-2000-A.jpg?v=1734438556"},{"product_id":"nippon-acid-folk-1970-1980-time017","title":"Nippon Acid Folk 1970-1980 (TIME017)","description":"\u003cp\u003eA counterculture movement united by an expansive, experimental and deeply soulful sensibility, Japan’s rebel protest music challenged the status quo and changed the country’s music industry in the process.\u003cbr\u003e(🇯🇵👇)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBorn on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAt the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSome, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePerhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCharting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist: V.A.\u003c\/p\u003e\n\u003cp\u003eTitle: Nippon Acid Folk 1970-1980\u003c\/p\u003e\n\u003cp\u003eLabel: Time Capsule\u003c\/p\u003e\n\u003cp\u003eCat Num: TIME017\u003c\/p\u003e\n\u003cp\u003eGenre: Rock, Folk\u003c\/p\u003e\n\u003cp\u003eStyle: Acid Folk\u003c\/p\u003e\n\u003cp\u003eFormat: Vinyl LP with 4 page insert, original artwork, photos\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInfo Release Date: Mon 23rd October 2023\u003c\/p\u003e\n\u003cp\u003eRelease Date: Fri 26th January 2024\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMastered by Andy Baldwin at Metropolis Studios, London, UK\u003cbr\u003eCompiled \u0026amp; Designed by Kay Suzuki\u003c\/p\u003e\n\u003cp\u003eLiner notes by Anton Spice \u0026amp; Kay Suzuki\u003c\/p\u003e\n\u003cp\u003eCoordinated by Ken Hidaka \u0026amp; Kay Suzuki\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNippon Acid Folk 1970-1980 | Time Capsule | TIME017 | 1970-1980 → 2024\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA1: Hiroki Tamaki - River    5:46\u003c\/p\u003e\n\u003cp\u003eA2: Happy End - Kaze Wo Atsumete   4:08\u003c\/p\u003e\n\u003cp\u003eA3: Takashi Nishioka - Manin no ki   4:06\u003c\/p\u003e\n\u003cp\u003eA4: Ken Narita - Gingatetsudo No Noru  4:41\u003c\/p\u003e\n\u003cp\u003eB1: Hiroki Tamaki - Beautiful Song   5:00\u003c\/p\u003e\n\u003cp\u003eB2: Niningashi - Hitoribotch    4:15\u003c\/p\u003e\n\u003cp\u003eB3: Tokedashita Garasubako - Anmari Fukasugite  5:23\u003c\/p\u003e\n\u003cp\u003eB4: Akaitori - Hotaru      3:39\u003c\/p\u003e","brand":"CARAVAN","offers":[{"title":"Default Title","offer_id":50984162361366,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/13-TIME017-ArtworkA.jpg?v=1734443047"},{"product_id":"shravanam-time004r","title":"Shravanam (TIME004R)","description":"\u003cp\u003e\u003cstrong\u003eDive into the spiritual depths of Carnatic Music (Southern Indian classical music) - An enchanting journey of devotion and transcendence pulsates with raw sincerity and profound spirituality, casting a spell that transcends boundaries of belief. (*👇🇯🇵)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally released on CD in 2000 from South Indian Carnatic music label and reissued on vinyl and digital first time in 2019 by Time Capsule.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNew 2024 repress\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003evinyl has different tracks on the B side\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand it still remains as the reverse cut as the 2019 version.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOne of classical Indian vocalist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“Bombay” Jayashri\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRamnath\u003c\/strong\u003e’s most mesmerising works. Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eOscar nomination for her work on Ang Lee’s Life of Pi\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWithin the first minute of opener\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSada Bada (Slokam)\u003c\/strong\u003e, Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAccompanied on the following\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBhajeham Bhajeham\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms – her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the album’s new-found devotees is label boss Kay Suzuki:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e“every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs professor of cultural and political theory in East London University\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJeremy Gilbert\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003estates in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e⚠️Reverse Cut Vinyl  ⚠️\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis record plays from the inner groove to the outer groove. You don’t need to change any settings on your turntable; Just place the needle where the record usually finishes and play normally.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA long-playing record like this (over 20 minutes long) tends to have lesser dynamics and sound quality when it’s closer to the center of the record due to the progressive reduction of linear resolution as the record progresses to smaller diameters. Since this music starts quietly at the beginning and then has greater dynamics and volume towards the end, this way of cutting vinyl yields superior results.\u003c\/p\u003e","brand":"CARAVAN","offers":[{"title":"Default Title","offer_id":50984162426902,"sku":"","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/09-TIME004R-01.jpg?v=1734443795"},{"product_id":"tokyo-riddim-vol-2-1979-1986-time021","title":"Tokyo Riddim Vol. 2 1979-1986 (TIME021)","description":"\u003cp\u003eTokyo Riddim Vol. 2 1979-1986 (TIME021)\u003cbr\u003eDiving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Teresa Noda tracks they cut - ‘Tropical Love’ and ‘Yellow Moon’ - bookend this second volume of Time Capsule’s Tokyo Riddim compilation, which tells the wider story of how a fascination with Jamrock swept Japan, adding a dash of lime to that sweet city pop sound, embracing a globalised musical palette and creating a whole new genre in the process.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor some, like Sakamoto, a diversion into reggae was part of broader fascination with new sounds and styles, tipped into the global disco of homage and appropriation that made Japanese music of the late ‘70s and early ‘80s some of the most creative and undefinable in the world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eYou had iconic shape-shifter Yosui Inoue, who toyed with reggae, afro-beat and electro-Balearic, (and whose For Life Records released several tracks on this comp), and Kay Ishiguro, who enlisted J-reggae originator Pecker on the ambitious Stevie Wonder-esque ‘Red Drip’.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThen there were the Compass Point devotees - producers and musicians alike who were enthralled by the sound of the Bahamas studio and drew on the detached cool of Grace Jones - as heard in the music of Juicy Fruits, and the disco noir of Casablanca-signed femme fatale Yuki Nakayamate. Sometimes, as was the case with Risa Minami, the J-reggae influence said more about Japan than it did about Jamaica.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBut where Tokyo Riddim Vol. 1 focused on the city pop sound, this compilation goes further, digging out the more experimental collaborations and hybrids exemplified by Tomoko Aran, who in working with Yusuaki Shimizu and Mariah emphasised just how far reggae had travelled to be recast into something entirely new on the other side of the world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePerhaps more than anything, in connecting the dots between Tokyo and Kingston, between Jamaica and Japan, the Japanese reggae was building a musical language that existed outside of the paradigms of US and European cultural hegemony - an encounter shaped by commerce, capital and creativity that is now being recognised more broadly for the first time.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist: V.A.\u003c\/p\u003e\n\u003cp\u003eTitle: Tokyo Riddim Vol.2 1979-1986\u003c\/p\u003e\n\u003cp\u003eLabel: Time Capsule\u003c\/p\u003e\n\u003cp\u003eCat Num: TIME021\u003c\/p\u003e\n\u003cp\u003eGenre: Electronic, Reggae, Pop\u003c\/p\u003e\n\u003cp\u003eStyle: New Wave, Dub, Soul, Synth-pop, Reggae-Pop\u003c\/p\u003e\n\u003cp\u003eFormat: Vinyl LP with 4 page insert\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInfo Release Date: Mon 30th Sept 2024\u003c\/p\u003e\n\u003cp\u003eRelease Date: Fri 25th Oct 2024\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCompiled by Kay Suzuki\u003c\/p\u003e\n\u003cp\u003eArtwork by Noncheleee\u003c\/p\u003e\n\u003cp\u003eLiner notes by Anton Spice, Kay Suzuki \u0026amp; Ayana Honma\u003cbr\u003eCoordinated by Ken Hidaka \u0026amp; Kay Suzuki\u003c\/p\u003e\n\u003cp\u003eMastered by Mike Hillier at Metropolis Studios, London, UK\u003c\/p\u003e\n\u003cp\u003eTime Capsule | TIME021 | 1979-1986 → 2024\u003c\/p\u003e\n\u003cp\u003eUPC: 748322322256\u003c\/p\u003e","brand":"CARAVAN","offers":[{"title":"Default Title","offer_id":50984360345622,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/10-TIME021-A-3000.jpg?v=1734449701"},{"product_id":"tv-anime-manga-new-age-soundtracks-1984-1993","title":"TV, Anime \u0026 Manga New Age Soundtracks 1984-1993","description":"\u003cp\u003eThe percussive new age soundtracks of '80s and early '90s Japanese TV, anime and manga built alternative worlds and pushed boundaries in the process.\u003cbr\u003eWhen Japanese composer Yas-Kaz left Tokyo for Bali in the mid 1970s he had little idea of how influential his trip would become. In studying the storied art of gamelan, the jazz and avant-garde percussionist opened a door to a world of sound and rhythm left behind by the West. The music he and his contemporaries made would become known as new age. It also happened to soundtrack the golden era of anime.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAwash with money and with the prerogative to entertain the burgeoning middle classes, anime in the 1980s experienced a creative and commercial boom. Not constricted by generic expectations, production houses such as the now renowned Studio Ghibli were able to experiment liberally with both form and content. And with it came the space for composers to be similarly adventurous.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTV, Anime \u0026amp; Manga New Age Soundtracks 1984-1993 charts this moment across eight tracks spanning classics of the genre and previously unknown rarities. The collection brings together music that found kinship in electronic and acoustic instrumentation, often combining spiritual or environmental themes with percussive, varied and highly refined syncopations of non-Western musical traditions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAmong them is ‘Kaneda’ by Geinoh Yamashirogumi, the shape-shifting group of self-styled musicians, anthropologists and computer scientists that masterminded the soundtrack to game-changing dystopian anime Akira - and with whom the sound, tuning and breakneck speed of Balinese gamelan has become indelibly entwined.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReflecting the desires of the era to reach beyond Japan’s borders, many of the soundtracks featured were commissioned for narratives set in distant lands or alternative worlds. There’s violinist and composer Norihiro Tsuru’s ‘Farsighted Person’, written for The Heroic Legend of Arslān, set in ancient Persia; Yas-Kaz’s own ‘Hei (Theme of Shikioni)’, for period sci-fi manga \u0026amp; anime series Peacock King - Spirit Warrior; and two tracks - Tassili N’Ajjer and Fiesta Del Fuego - from Yoichiro Yoshikawa’s soundtrack to NHK’s proto-Planet Earth series The Miracle Planet.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSuch was the variety and quality of the music produced, if there is a guiding principle to the tracks collected here it is a sense of escapism and adventure that came with the confluence of modern electronic instruments and a fascination with percussive traditions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eElsewhere, pioneering children’s TV composer Chumei Watanabe’s ‘Fushigi Song’ (performed by a vocal group Korogi ‘72) offers a trippy and infectious groove with sonic similarities to Don Cherry’s ‘Brown Rice’; little-known jazz-funk library group Columbia Orchestra showcase the best of Tokyo’s session musicians on ‘Hearts Beats - Theme for Andrew Glasgow’; before lawyer-turned-composer Kan Ogasawara closes out the compilation with a dramatic flourish on ‘Gishin Anki’.\u003c\/p\u003e\n\u003cp\u003eFollowing on from Time Capsule’s acclaimed deep-dive into the world of manga \u0026amp; anime synth-pop in 2022, this vinyl only collection is set to broaden and diversify an understanding of how soundtracks shaped the sound of new age music in Japan for a generation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist: V.A.\u003cbr\u003eTitle: TV, Anime \u0026amp; Manga New Age Soundtracks 1984-1993\u003c\/p\u003e\n\u003cp\u003eLabel: Time Capsule\u003cbr\u003eCat Num: TIME015\u003cbr\u003eRelease Date: 25th April 2025\u003cbr\u003eGenre: Electronic, Folk, World, \u0026amp; Country\u003c\/p\u003e\n\u003cp\u003eStyle: New Age, Fusion\u003cbr\u003eFormat: LP vinyl only release + 4 page liner notes\u003c\/p\u003e\n\u003cp\u003eCurator: Kay Suzuki, Rintaro Sekizuka (Vinyl Delivery Service)\u003c\/p\u003e\n\u003cp\u003eArtwork: Tu-yang\u003c\/p\u003e\n\u003cp\u003eUPC: 650245521923\u003c\/p\u003e\n\u003cp\u003eDealer Price: Same as rest of Nippon Series (Tokyo Riddims, Nippon Acid Folk)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePre-Order Date: 25th Feb 2025\u003c\/p\u003e\n\u003cp\u003eRelease Date: 25th Apr 2025\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA1. Korogi ‘73 - Fushigi Song    4:31\u003c\/p\u003e\n\u003cp\u003eA2. Yas-Kaz - Hei (Theme of Shikioni)  4:40\u003c\/p\u003e\n\u003cp\u003eA3. Yoichiro Yoshikawa - Tassili N'Ajjer  3:29\u003c\/p\u003e\n\u003cp\u003eA4. Norihiro Tsuru - Farsighted Person  4:58\u003c\/p\u003e\n\u003cp\u003eB1. Geinoh Yamashirogumi - Theme of Kaneda 3:11\u003c\/p\u003e\n\u003cp\u003eB2.  Yoichiro Yoshikawa - Fiesta Del Fuego  3:29\u003c\/p\u003e\n\u003cp\u003eB3. Columbia Orchestra - Heart Beats \/ Theme for Andrew Glesgow 3:28\u003c\/p\u003e\n\u003cp\u003eB4. Kan Ogasawara - Gishin Anki   5:05\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"caravan","offers":[{"title":"Default Title","offer_id":52842939187222,"sku":"","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/10-TIME015-MAIN-01.jpg?v=1744640524"},{"product_id":"so-do-studio-works-83-85-time023","title":"So-Do \/ Studio Works '83-'85 (TIME023)","description":"\u003cdiv class=\"public-content-header__caption\"\u003e\n\u003cspan class=\"text--H900 text--default\"\u003eSo-Do \/ Studio Works '83-'85 (TIME023)\u003c\/span\u003e\n\u003cdiv class=\"Playlist_WatermarkingStatusFlag\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"playlist-messages\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch3\u003e\u003cstrong\u003eSo-Do’s dubby post-punk sound painted the idealism and disillusionment of early ‘80s bubble-era Japan in heavy-grooving funk and ice-cold style.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e（🇯🇵👇）\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe story of So-Do is both familiar and completely unique. A classically trained multi-instrumentalist with a poet’s sensibility and a passion for folk music meets a worldly bar owner with a love for psychedelia, post-punk and dub in the small town neither could bring themselves to leave. Over two years, they play dozens of shows in independent live houses across Japan, cut and self-release three singles – two 7”s and a 12” – and leave behind just eight tracks, all of which are set to be reissued for the first time forty years on.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSo-Do’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStudio Works ’83-’85\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecollects the full output of this iconoclastic post-punk phenomenon, whose sparse, syncopated arrangements were infused with a dubbed-out flair that owed more to Dennis Bovell’s productions of Orange Juice, the Jah Wobble basslines of Public Image Limited or Adrian Sherwood’s live dubs of Mark Stewart than even they knew at the time.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBecause for lead songwriter Hideshi Akuta, music offered an escape from the existential malaise of small-town life, folding a melancholy nihilism into tracks like ‘Kakashi’ and ‘Hashiru’ (which translates as ‘run’), or taking aim at the inequalities and creeping apathies of the middle classes, as he does on ‘Get Away’ and ‘Nothing’.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAnd if Talking Heads had CBGBs, Sex Pistols had the Roxy, then So-Do had Buddha. Influenced by Buddha venue owner and amateur producer Atsuo Takeuchi, Akuta turned So-Do’s sound towards dub, crafting playful, ironic and funky compositions that crackle with live energy at the vanguard of Japan’s nascent independent music scene.“So-Do is hard to explain,” Takeuchi says. “It’s been a struggle for years to try to find the words for our music.” The answer perhaps, is just to listen.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBoth familiar and completely unique, So-Do extend Time Capsule’s genre-defining exposition of Japan’s reggae-inspired music of the ‘70s and ‘80s, as collected on the label’s two critically acclaimed\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTokyo Riddim\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecompilations, and London-based live outfit Tokyo Riddim Band.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEmbracing the rip-it-up-and-start-again ethos of the early ‘80s, So-Do burned bright for a short time and then burned out. Their legacy is about to be reignited. Expect it to catch alight once more.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA1: Get Away (1985)   4:07\u003c\/p\u003e\n\u003cp\u003eA2: Kakashi (1984)  6:42\u003c\/p\u003e\n\u003cp\u003eA3: Hashiru (1984)  5:38\u003c\/p\u003e\n\u003cp\u003eB1: So-Do (1983)  3:41\u003c\/p\u003e\n\u003cp\u003eB2: Nothing (1985)  3:37\u003c\/p\u003e\n\u003cp\u003eB3: Natural Wave (1983) 5:14\u003c\/p\u003e\n\u003cp\u003eB4: Morning (1985)  5:13\u003c\/p\u003e\n\u003cp\u003eDigital Bonus: Scrambled Eggs (1985) 5:42\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTitle: Studio Works ‘83-’85\u003c\/p\u003e\n\u003cp\u003eArtistt: So-Do\u003c\/p\u003e\n\u003cp\u003eLabel: Time Capsule\u003c\/p\u003e\n\u003cp\u003eCat No: TIME023\u003c\/p\u003e\n\u003cp\u003eFormat: 12\" vinyl + Digital\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePre-Order Date: 15th Jan 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: 28th Feb 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAll songs are written \u0026amp; composed by Hideshi Akuta\u003c\/p\u003e\n\u003cp\u003eProduced by Atsuo Takeuchi\u003c\/p\u003e\n\u003cp\u003eArtwork by Ben Arfur\u003c\/p\u003e\n\u003cp\u003eCurated by Kay Suzuki\u003c\/p\u003e\n\u003cp\u003eLicensed from Atsuo Takeuchi (Oregano Cafe)\u003c\/p\u003e\n\u003cp\u003eTape Restoration and Mastered by Mike Hillier at Metropolis Studios, London, UK\u003c\/p\u003e\n\u003cp\u003eTime Capsule | TIME023 | 1983-1985 → 2025\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CARAVAN","offers":[{"title":"Default Title","offer_id":52843081662486,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/09-TIME023-A-1500.jpg?v=1744640963"},{"product_id":"sometime-ruki002-free-shipping-uk","title":"Sometime [RUKI002] (Free Shipping UK)","description":"\u003ch1\u003e\u003cspan\u003eSometime \u003cspan data-placeholder-token=\"true\" class=\"text-token-text-primary cursor-text rounded-sm\"\u003e[RUKI002]\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eDJ Himitsu\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eFormat:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 12\" Vinyl (140g EcoVinyl)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLabel:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e RUKI\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCatalog Number:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e RUKI002\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eRelease Date:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e June 5, 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eA1. Mint\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eA2. Sometime\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eB1. Matane\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eB2. Door\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e〈Sample\u003cmeta charset=\"utf-8\"\u003e〉\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003ca href=\"https:\/\/djhimitsu.bandcamp.com\/album\/sometime-ruki002\" title=\"Sample\"\u003e\u003cstrong\u003e\u003cspan\u003ehttps:\/\/djhimitsu.bandcamp.com\/album\/sometime-ruki002\u003c\/span\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLondon-based label RUKI joins forces with Japanese producer DJ Himitsu for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSometime\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, a playful and percussive four-track EP inspired by the natural world. Blending DJ Himitsu’s polished production style with RUKI’s affinity for organic textures and atmosphere, the release delivers an energetic and immersive journey across house, breaks, and psychedelic rhythms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe EP opens with the rainforest-infused groove of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMint\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, before moving into the hypnotic percussion and rolling energy of the title track \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSometime\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. On the flip side, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMatane\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e brings a buoyant and uplifting 4x4 pulse, while \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDoor\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e closes the record with low-slung, psychedelic-tinged breaks and a surreal sense of movement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePressed exclusively on 140g EcoVinyl, each record is unique in appearance and manufactured with up to 50% lower emissions compared to traditional vinyl production by repurposing offcuts from coloured vinyl pressings.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eProduction\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eWritten \u0026amp; Produced by DJ Himitsu\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMastered by Robin Virag\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtwork by George Askaroff\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eManufactured by R.A.N.D. Muzik, Leipzig\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eAdditional Information\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eVinyl-only release\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePressed on sustainable 140g EcoVinyl\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEach copy is visually unique\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUp to 50% lower carbon footprint than conventional vinyl production\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"info license\" id=\"license\"\u003e\u003c\/div\u003e","brand":"CARAVAN","offers":[{"title":"Default Title","offer_id":71120047177750,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/RUKI002Artwork_ASide.png?v=1782314522"},{"product_id":"atonal-bridge-lp-near-mint-nm-or-m","title":"Atonal - Bridge (LP) (Near Mint (NM or M-))","description":"\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Near Mint (NM or M-)\u003cbr\u003e\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Near Mint (NM or M-)\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\u003cpre style=\"white-space: pre-wrap; text-align: justify;font-family: unset;\"\u003eAll music created \u0026amp; produced by Kieran Warren between 1990 - 1994.\u003c\/pre\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eA1.  Braid Hills \u003cbr\u003eA2.  Codeine \u003cbr\u003eA3.  CP1919 \u003cbr\u003eA4.  This Heat \u003cbr\u003eA5.  No Escape \u003cbr\u003eA6.  Molly \u003cbr\u003eB1.  Flight \u003cbr\u003eB2.  Edina H \u003cbr\u003eB3.  Eyeless \u003cbr\u003eB4.  Arkanoids \u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eBarcode and Other Identifiers:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eMastered At Curve Pusher\u003cbr\u003eDistributed By Rubadub\u003cbr\u003eManufactured By R.A.N.D. Muzik\u003cbr\u003e\u003c\/p\u003e\n\n\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/4137125799\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/constacloud.com\/disconnect?id=35784630\" target=\"_blank\"\u003eProduct listed via Disconnect\u003c\/a\u003e","brand":"Cold Blow","offers":[{"title":"Default Title","offer_id":71962147094550,"sku":"4137125799","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/20685085-0844417467edfd00b05dc67edfd00b05dd174365004867edfd00b05e0.jpg?v=1793312290"},{"product_id":"new-release-1959954756-myles-cochran-you-are-here","title":"Myles Cochran - You Are Here","description":"\u003cp\u003eA dreamy instrumental album blending steel guitar, bass, cello, and dub textures into expansive moods.\u003c\/p\u003e\u003cdl\u003e\n\u003cdt\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003e2x Vinyl (LP, Album)\u003c\/dd\u003e\n\u003cdt\u003e\u003cstrong\u003eLabel\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003e9ball Records\u003c\/dd\u003e\n\u003cdt\u003e\u003cstrong\u003eCatalogue number\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003e9Ball LP241\u003c\/dd\u003e\n\u003cdt\u003e\u003cstrong\u003eYear\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003e2024\u003c\/dd\u003e\n\u003cdt\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eUS\u003c\/dd\u003e\n\u003cdt\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eRock\u003c\/dd\u003e\n\u003cdt\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eFolk Rock; Indie Rock\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cp\u003e\u003cstrong\u003eMedia condition:\u003c\/strong\u003e Mint (M)\u003cbr\u003e\u003cstrong\u003eSleeve condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\u003ch3\u003eTracklist\u003c\/h3\u003e\u003cp\u003eA1 - Flag -\u003cbr\u003eA2 - Making Something Out Of Nothing -\u003cbr\u003eA3 - Signs And Symbols -\u003cbr\u003eB1 - So This Is Now -\u003cbr\u003eB2 - True -\u003cbr\u003eB3 - Glint -\u003cbr\u003eB4 - While You Were Sleeping -\u003cbr\u003eC1 - On The Other Hand -\u003cbr\u003eC2 - The Deepest Sea -\u003cbr\u003eC3 - You Are Here -\u003cbr\u003eD1 - If You Could See Me -\u003cbr\u003eD2 - The Stories We Tell Ourselves -\u003cbr\u003eD3 - Making Nothing Out Of Something -\u003cbr\u003eD4 - Twice Shy - \u003c\/p\u003e","brand":"9ball Records","offers":[{"title":"Default Title","offer_id":71962278526998,"sku":"CG-L-7477328306282","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0455\/6783\/6182\/files\/img-c-4149825730.jpg?v=1793316094"},{"product_id":"new-release-5131087102-other-social-resilience","title":"Other - Social Resilience","description":"\u003cp\u003eImage Recordings’ first EP, featuring four tracks that blend Techno, House and Electro with a late-’90s-inspired groove. 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